Παρόλα αυτά επανέρχομαι, με απόσπασμα από άρθρο στο site της Gibson http://www.gibson.com/en-us/Lifestyle/Features/glorious-tones-from-cheapo-gea
"Not only do similar aural revelations form the first musical experiences of many guitar players, they can be used to inject a little much needed juice into your matured, more developed sound-crafting today. Stumped trying to come up with an attention-grabbing tone for that special track in the studio? Grab a couple of junkyard dogs and have at it. You might fall on your face, but as often as not you’ll create something that really jumps out of the track. Anything with Teisco, Kay, Harmony, Silvertone, or Danelectro on the headstock—or Airline, Alamo, Kay, Harmony, Oahu, National, or Silvertone on the control panel—is likely to do you proud. Of course there are also lots of no-name (or forgotten name) Dumpster guitars and amps out there that have been waiting for years, or decades, for their moment to shine.
There are examples of the success of these set-ups all through tone history. Dave Davies of the Kinks recorded what is often acknowledged as the first distorted guitar sound in a hit pop-rock song by ramming his guitar into a tiny Elpico amp with razor-shredded speaker to create the chunky filth behind “You Really Got Me.” For more recent examples, turn to Jack White’s red plexiglass Airline (no longer a cheapo, of course, and now very collectible thanks to his association with it) and Silvertone Twin Twelve amp, or the namesake of the Jon Spencer Blues Explosion’s use of a trashed Teisco guitar and, yep, the same model of amp. Even Jimi Hendrix, Jimmy Page, and Stevie Ray Vaughan have all wang-danged their doodle on Danelectro or Silvertone guitars".
