Προς το περιεχόμενο

Η καινουργια πεταλιερα του D.Gilmour


Προτεινόμενες αναρτήσεις

Σήμερα είδα πως ολοκληρώθηκε η πεταλιέρα.... δεν είναι μόνο το σώμα των ξύλων... Τώρα να πω πως διακρίνω μια βαρέα στύση εντός του παντελονιού μου :oops: :oops: :oops:

Συνδέστε για να σχολιάσετε
Κοινοποίηση σε άλλες σελίδες

  • Απαντήσεις 40
  • Πρώτη
  • Τελευταία

Περισσότερες συμμετοχές

Περισσότερες συμμετοχές

Ενα μικρό στουντιάκι σε μια βαρκούλα ...

 

Που την είδες την "βαρκούλα" και που το "στουντιάκι"??? :lol: :lol: :lol:

www.facebook.com/YourPaintedSmile

Συνδέστε για να σχολιάσετε
Κοινοποίηση σε άλλες σελίδες

Mια ενδιαφέρουσα συνέντευξη του Gilmour που πιστεύω λύνει πολλές απορίες και ερωτηματικά σχετικά με το μέλλον των Pink Floyd...

 

"Σε μια άκρως ενδιαφέρουσα και αποκαλυπτική συνέντευξη

ο Gilmour μιλάει για

το καινούριο του album και για το μέλλον των Pink

Floyd. Η συνέντευξη έγινε

στην ιταλική εφημερίδα La Repubblica και ακολουθεί το

άρθρο αναδημοσιευμένο

από το brain-damage.co.uk:

 

David told them: "I think I've had enough. I am 60. I

donΆt want to work

much anymore. ItΆs an important part of my life, I

have had enormous

satisfactions, but now itΆs enough. ItΆs much more

comfortable to work on my

own". And we are not talking about the reunion with

Roger Waters, already

considered improbable ("Roger has worked in an

absolutely autocratic way in

the last 20 years; he would find difficulty in being

part of a democratic

band"), but about the Pink Floyd trademark itself,

belonging to Gilmour,

Richard Wright and Nick Mason after several legal

actions. They recorded two

albums and played live in incredible gigs all over the

world. "ItΆs over"

specifies Gilmour.

 

"The issue about Roger is irrelevant, because even

without him I donΆt want

to go on as Pink Floyd. IΆm happy with my life.

Playing as Pink Floyd is a

business too big for me now. When you move as a band,

all is gigantic, the

expectations are enormous, the pressures very high. We

have been asked to

play one hundred gigs! I am fine as I live now. It was

fantastic but now I

don't feel like any more."

 

The interview then turns more towards his forthcoming

solo album, On An

Island, released on March 6th.

 

Is it a coincidence that the album will be released

very close to your 60th

birthday?

 

No, it's not a coincidence. It's a choice.

 

Many people will find it difficult to distinguish from

a Pink Floyd album...

 

I can't understand the difference very much! It's not

important. In fact, I

am the voice and the guitar of Pink Floyd. It's

natural that part of my

album sounds like Pink Floyd's. The difference is

clear only in my head...

Anyway, although I always felt free within the band,

that was a group work.

This one is more intimate, personal. I recorded most

of it at home. I played

many instruments, including saxophone.

 

What does the album title refer to?

 

The island is not Lindos, where I own a house. It's a

Greek island called

Castellorizo, like the first track in the album, 3

miles from the Turkish

coast, where the Italian film Mediterraneo was shot.

There is a song called

On An Island too, it's about an evening spent with

friends on that island.

 

It's a strange island. Until the 1920s the coast

opposite belonged to

Greece. Now it's Turkish; the island is almost

deserted, many people have

left, it's like a ghost island. The track is about

leaving, abandonment, and

then the phrase born on an island, very important for

an Englishman...

 

There's a sensitive passion in this record. A simple

beauty..

 

I hope... I hope the music is simpler but it can mean

more. There are echoes

in this simplicity. After all, when you write you try

to compose just simple

songs, but then other, deeper meanings and

complications arrive. My wife

Polly wrote a lot of the lyrics in the album.

 

Isn't it complicated to work with your wife?

 

I find it very natural at this stage of my life. Of

course there are several

problems, but the advantages are much greater! She

wrote some songs by

herself, like The Blue - that is perfect, the music

and lyrics seem to be

born together. Sometimes she is inspired by my music,

sometimes she tries to

come into my head and see with my eyes in order to

understand what I was

trying to say.

 

Why have you waited 20 years for a new solo album?

 

Well, I have been very busy. Two albums with Pink

Floyd, and I felt free to

do what I wanted to do, without restrictions. Then I

got married again, new

babies, I don't want to work much now, I am not an

ambitious person anymore.

 

You played with Crosby & Nash. Was it the first time

you worked with them?

Were you friends?

 

I've known Graham Nash since he was in the Hollies,

and through him I met

Crosby. Two fantastic guys. They played in London in

June, I went to say

hello backstage and asked them to sing on my album.

They said yes

immediately, and I recorded their voices two days

later.

 

Talking again about Pink Floyd, why the reunion at

Live8?

 

For many reasons. Firstly because of the cause,

obviously. Secondly because

Roger and I had had a very bad relationship and this

was something very bad

to have in your heart. And finally because if I hadn't

done it, I would have

had regrets forever!

 

It was a good signal. How did you live that moment?

 

Actually I had very difficult guitar parts and then I

had to sing. I felt a

very big responsibility; I spent three weeks training

myself and I was very

concentrated on what I had to do. I felt the

incredible emotions only when

we finished playing.

 

And then Syd Barrett, the "crazy diamond", Pink Floyd

founder. When the band

was recording Wish You Were Here, he appeared at Abbey

Road. Mr Gilmour, is

that story true?

 

Yes, absolutely. I don't remember which song we were

recording, I don't

remember which one recognized him first, and I don't

remember what we talked

about. But it's absolutely true. Syd appeared in a

moment!

 

Have you ever seen him, after that day?

 

No, never.

 

How's is it possible? Haven't you ever wanted to go to

Cambridge to visit

him?

 

Yes, I would have, but his family think Syd has to

stay alone. But maybe in

the future...

 

How would you like people to react to your new album?

 

I'd like that everyone feels like being in a different

world where only the

music exists. I wouldn't like that people listen to

the surface only but

that they listen deeply. I'll be happy if my music

were important, at least

during the minutes you're listening to the album...

www.intravenus.gr

Συνδέστε για να σχολιάσετε
Κοινοποίηση σε άλλες σελίδες

Απίστευτη συνέντευξη!!! Μπράβο JAM που την μοιράστηκες μαζί μας ;)

 

ΥΓ. Είδατε το Καστελόριζο?? ;)

Μήπως πρέπει να γράψω κι εγώ κανά κομμάτι για το νησάκι της λίμνης των Ιωαννίνων??? :roll:

www.facebook.com/YourPaintedSmile

Συνδέστε για να σχολιάσετε
Κοινοποίηση σε άλλες σελίδες

Μήπως πρέπει να γράψω κι εγώ κανά κομμάτι για το νησάκι της λίμνης των Ιωαννίνων??? :roll:
Όχι, άσε να γράψει ο Waters... πλάκα κάνεις; Εγώ μία φορά έχω πάει στα Γιάννενα και μετά έγραφα κομάτια εμπνευσμένα από τη λίμνη για δύο χρόνια... :) :) :)

Reading The Fucking Manual

Συνδέστε για να σχολιάσετε
Κοινοποίηση σε άλλες σελίδες

Περιμένω με ανυπομονησία να ακούσv ένα τέτοιο κομμάτι σου eyprotocol!!!

 

Έτσι ... να "μυρίζει" Γιαννιώτικη λιμνίλα!!! :lol:

www.facebook.com/YourPaintedSmile

Συνδέστε για να σχολιάσετε
Κοινοποίηση σε άλλες σελίδες

Δημιουργήστε λογαριασμό ή συνδεθείτε για να σχολιάσετε

Πρέπει να είστε μέλος για να αφήσετε σχόλιο

Δημιουργήστε λογαριασμό

Γραφτείτε στην παρέα μας. Είναι εύκολο!

Δημιουργία λογαριασμού

Σύνδεση

Έχετε ήδη λογαριασμό; Συνδεθείτε εδώ.

Σύνδεση

×
×
  • Δημοσιεύστε κάτι...

Τα cookies

Τοποθετήθηκαν cookies στην συσκευή σας για να είναι πιο εύκολη η περιήγηση στην σελίδα. Μπορείτε να τα ρυθμίσετε, διαφορετικά θεωρούμε πως είναι OK να συνεχίσετε. Πολιτική απορρήτου